|The Pink Floyd Exhibition: Their Mortal Remains
Presented by the V&A and Michael Cohl’s Iconic Entertainment Studios 13 May – 1 October 2017
Tickets on sale NOW
Sound Experience by Sennheiser www.pinkfloydexhibition.com | vam.ac.uk/pink-floyd | #TheirMortalRemainsOn Thursday 16 February, Pink Floyd’s founder members Roger Waters and Nick Mason made a rare public appearance together at London’s May Fair Hotel at a media briefing and Q&A session for The Pink Floyd Exhibition: Their Mortal Remains. The two old friends discussed for the first time the objects in the exhibition, which opens on 13 May at London’s Victoria and Albert Museum. Tickets for the exhibition, promoted by Michael Cohl and Iconic Entertainment Studios, are on sale now via the V&A and other ticketing partners.
Roger Waters, Pink Floyd’s bass guitarist and singer songwriter, and drummer Nick Mason met as students at London’s Regent Street Polytechnic in the early 1960s, studying architecture. The pair formed the group that eventually became Pink Floyd with keyboard player Richard Wright and Syd Barrett. Syd was replaced in 1968 by fellow guitarist, vocalist and songwriter David Gilmour.
The Victoria and Albert Museum will host The Pink Floyd Exhibition: Their Mortal Remains between 13 May and 1 October 2017. This major international Pink Floyd retrospective marks the 50th anniversary of the band’s first album, The Piper At The Gates Of Dawn and debut single, Arnold Layne.
The Pink Floyd Exhibition is created in partnership with the V&A by Pink Floyd’s creative director Aubrey ‘Po’ Powell (formerly of the design partnership Hipgnosis) and Paula Webb Stainton, who worked closely with members of Pink Floyd. The V&A curatorial team is led by Victoria Broackes, Senior Curator, with Anna Landreth Strong, Curator, Department of Theatre and Performance. The exhibition is a collaboration with designers Stufish, the leading entertainment architects and the band’s long-serving stage designers.
The Pink Floyd Exhibition: Their Mortal Remains is anchored by a chronological trip through Pink Floyd’s history, connecting with music, art and design, sound technology and live performance: from their beginnings on the underground club scene in 1960s London to the present day, via landmark albums such as The Dark Side Of The Moon, Wish You Were Here, Animals, The Wall and The Division Bell, and their accompanying imagery, stage shows, design and technology.
Every chapter of the Pink Floyd story is represented, with more than 350 objects and artefacts on display, many of them never before seen, including hand-written lyrics, musical instruments, letters, original artwork and stage props, accompanied by objects from the V&A’s collection of art, design and performance. Some of these items had been long-held in storage facilities, studios and personal collections for over 40 years, before being re-discovered.
The entry point into The Pink Floyd Exhibition is a replica of the Bedford van Pink Floyd used as their touring vehicle in the mid-1960s. From this first moment, the visitor is immersed in Pink Floyd’s world. Emerging from the vehicle, they will find themselves transported to Swinging London and the UFO club, the home of the capital’s psychedelic music scene, where Pink Floyd became the unofficial ‘house band’ during the early part of 1967. This exhibit includes atmospheric oil and light show projections created by Pink Floyd’s 1960s-era lighting designer, Peter Wynne Willson, which, together with the accompanying soundtrack, ensures a fully immersive experience.
Art and technology are also celebrated. Included is an original painting by Syd Barrett, who studied art in London and his hometown of Cambridge before becoming a full-time musician. Also featured is the Azimuth Co-Ordinator, from the V&A’s own collection, the custom-built device used by Richard Wright to pan the group’s live sound, via a joystick, around any given venue. The ground-breaking device played an integral part in Pink Floyd’s theatrical live performances at venues including the Royal Festival Hall and Royal Albert Hall in the late 1960s as well as being used in the recording of the clock montage for ‘Time’ on The Dark Side of the Moon.
Also included are Pink Floyd’s soundtracks for the art-house movies, More, La Vallée and Zabriskie Point; musical projects undertaken alongside their studio albums. Having abandoned the concept of releasing singles at the end of 1968, these film soundtracks show the band exploring alternative media for their music. Together with the performance art aspects of their live shows, the exhibition illustrates Pink Floyd’s experimentation with multi-media work.
Pink Floyd’s journey through the 1970s saw them embracing studio technology and using all the resources at their disposal at EMI’s Abbey Road Studio on albums such as Meddle, The Dark Side Of The Moon and Wish You Were Here. Several instruments used on these albums are displayed here, including David Gilmour’s famous Stratocaster, nicknamed ‘The Black Strat’, which has been used on many Pink Floyd tours since making its debut at the 1970 Bath Festival Of Blues And Progressive Music.
The now world-famous artwork for 1973’s The Dark Side Of The Moon was created by Hipgnosis, the design partnership comprising exhibition co-curator Aubrey ‘Po’ Powell and the late Storm Thorgerson. Hipgnosis’ work is on display throughout the exhibition, alongside artwork and stage designs created for the band by others, including Gerald Scarfe and the late Mark Fisher.
These artefacts plot both Pink Floyd’s development as a spectacular live band, but also the broader social, cultural and political threads which ran parallel to their music. Among the many iconic set pieces on display is a celebration of architect Giles Gilbert Scott’s Battersea Power Station, the building immortalised on the cover of Pink Floyd’s 1977 album, Animals. Roger Waters’ lyrics on Animals were a critique of social inequality and capitalism, but Pink Floyd were also a target for many younger, up-and-coming punk rock groups at this time, as encapsulated by Sex Pistol Johnny Rotten’s famous customised ‘I Hate Pink Floyd’ T-shirt.
In 1979, Roger Waters conceived The Wall which explored childhood alienation, the Second Worlds War, the loss of his father, through to the rights of passage of a rock star. The album’s striking artwork and its grotesque cast of characters, including a cane-wielding schoolteacher, were created by cartoonist and illustrator Gerald Scarfe.
These characters were then re-imagined by Mark Fisher as huge inflatables in the subsequent Wall stage show which Stufish has re-created for the exhibition. Revealed in The Pink Floyd Exhibition is the inspiration for the schoolteacher. Included in the exhibition is the cane used by the headmaster at the Cambridge and County High School for Boys on his pupils, Roger Waters, Syd Barrett, and future collaborator Storm Thorgerson and a punishment book detailing the dates and reasons for the beatings.
The scale and ambition of Pink Floyd’s imagery and live shows continued in the 1980s and ‘90s with world tours for the A Momentary Lapse Of Reason and The Division Bellalbums. The exhibition salutes this scale and ambition with a specially reconstructed suit of lightbulbs worn by a model on the cover of the 1988 live album, Delicate Sound Of Thunder, and the original giant ‘talking heads’ designed by Storm Thorgerson for the sleeve of 1994’s The Division Bell.
Audio specialist Sennheiser is the official audio partner of the exhibition, enabling captivating audio experiences through its AMBEO 3D audio technology. Sennheiser systems will be used for all audio elements and throughout The Pink Floyd Exhibition: Their Mortal Remains, including the delivery of highest-quality arrangements from Pink Floyd historic audio documents. A perfect fit, as the band has been using Sennheiser and Neumann audio equipment throughout their career, starting with the legendary Sennheiser MD 409. The exhibition will culminate in an upmix of Comfortably Numb from the Live 8 concert – the last time the band played together. This will create an AMBEO 3D audio experience (18.3) that places sound around the listener, delivering an immersive sensation unlike anything visitors will have encountered before, very much the pioneering spirit of Pink Floyd.
The Pink Floyd Exhibition: Their Mortal Remains is an audio-visual journey through 50 years of one of the world’s most iconic rock groups, and a rare and exclusive glimpse into Pink Floyd’s world. The exhibition opens on 13 May 2017 for 20 weeks. Tickets are on sale now.
NOTES TO EDITORS
- Tickets on sale now
- Admission £20 (Monday – Friday), £24 (Saturday – Sunday), concessions available. V&A Members go free. Advance booking strongly advised.
- Tickets available in person at the V&A; online at vam.ac.uk/pink-floyd or by calling 0800 912 6961 (booking fee applies); or from ticketing partners Ticketmaster, LOVETheatre, See Tickets and Encore
About the V&A
The V&A is the world’s leading museum of art, design and performance with collections unrivalled in their scope and diversity. It was established to make works of art available to all and to inspire British designers and manufacturers. Today, the V&A’s collections, which span over 5000 years of human creativity in virtually every medium and from many parts of the world, continue to intrigue, inspire and inform. The V&A holds the national collection of material for live performance in the UK and has been collecting Rock and Pop works since the early 1970s including Pink Floyd material. Previous V&A exhibitions have included: David Bowie is, and You Say You Want A Revolution: Records & Rebels 1966-70 which includes objects relating to Pink Floyd. www.vam.ac.uk
About Iconic Entertainment Studios
Iconic Entertainment Studios, led by Michael Cohl, is a full-service live event producer and promoter. Iconic specializes in the development of high-calibre touring exhibitions, unique live music tours, family arena attractions, and live theatre. Recent Iconic productions include An Evening with Oprah 2015, David Gilmour’s Rattle That Lock North American Tour 2016, and Barbra Streisand’s North American Tour 2016. Other events are Bodies: The Exhibition, and the highly-successful Jurassic World: The Exhibition, currently running in Melbourne. Active projects in production include Transformers Live, opening in China in 2017, and Jim Steinman’s Bat Out of Hell: The Musical, with its world premiere in 2017 in the UK.
For more information, visit: www.iconicentertainmentstudios.com
Stufish Entertainment Architects:
Founded by the late Mark Fisher, Stufish’s work has redefined the live entertainment experience from building design to set build, from show creation to production. Stufish’s portfolio includes concert tours for Pink Floyd, The Rolling Stones, U2, Madonna, Lady Gaga, Michael Buble and One Direction. Theatrical designs include Monty Python Live(mostly), We Will Rock You and Cirque du Soleil in Las Vegas as well as their own production Soho which will open in May 2017 in the Peacock Theatre in London. Other work includes the Buckingham Palace Jubilee Concerts for HM the Queen and the opening and closing ceremonies of the Beijing Olympics 2008. Permanent projects designed by the studio include the KÀ Theatre at the MGM Grand in Las Vegas, and the multiple award-winning Han Show Theatre, Wanda Movie Park, and Dai Show Theatre in China, designed for the Dalian Wanda Group
In 1967 Aubrey ‘Po’ Powell and Storm Thorgerson were approached by their friends in Pink Floyd to design the cover for the group’s second album, A Saucerful of Secrets. This led to a flurry of work from other bands including Free and Tyrannosaurus Rex. The name Hipgnosis was born out of a chance encounter with a door frame. Powell and Thorgerson had been looking for a name for their fledgling studio. At the time they shared a flat with Pink Floyd’s Syd Barrett and by chance Syd had scrawled in ball-point pen the word HIPGNOSIS on the door. Over the next fifteen years Hipgnosis gained international prominence. Their famed 1973 cover design for Pink Floyd’s The Dark Side of the Moonpaved the way for other major rock bands to set foot in the surreal photo-design world of Po and Storm, resulting in many artworks for Led Zeppelin, Paul McCartney, Black Sabbath and more.
About Paula Webb Stainton
Paula Webb Stainton is a professional organiser of high profile international Events and Exhibitions. Clients of her company, Roebuck Webb Ltd, include McLaren Formula One, Ralph Lauren, and of course, Pink Floyd.
Dublin born, Paula’s 30-plus year career began as a client manager and producer in Ad Agencies in Ireland, London and New York, before she began managing Pink Floyd drummer Nick Mason’s action vehicle props company Ten Tenths, as well as organising tour events for Pink Floyd in the mid 1980s.
The Pink Floyd Exhibition: Their Mortal Remains at the V&A, London which Paula is co-curating with Aubrey ‘Po’ Powell, is Paula’s second exhibition for the band. Together with Storm Thorgerson, Paula Co-curated the Pink Floyd ‘Interstellar’ Exhibition at the Citie de La Musique, Paris in 2003, which became the institution’s most successful exhibition of all time.
The audio specialist Sennheiser is one of the world’s leading manufacturers of headphones, microphones and wireless audio systems. Among its products is the world’s best headphone system, the HE 1, successor to the legendary Orpheus. Based in Wedemark, Germany, Sennheiser operates production facilities in Germany, Ireland and the USA, and is active in more than 50 countries through 19 sales subsidiaries and long-established trading partners. Earlier this year, the family-owned company launched AMBEO 3D Audio. This umbrella trademark covers the company’s 3D immersive audio products and installations. AMBEO promises the very best in immersive audio capture and reproduction – and a completely new listening experience.